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Crime Fiction Notes EssayStudy read over your essay and familiarise yourself with your wording bewilder discussions Figure out the arguments in your channelize practise exams dont just Know the material REALLY UNDERSTAND itThe Big SleepObservation conventions that are constant throughout generations of aversion fiction genre (passion, detachment, love, hope, justice) are a reflection on the timeless and universal human needs conventions that are subverted are a reflection of ever-changing values and context of use context of use 1950s post WW2 Economic depression Desire for hope, justice, escapismTheoristsSchwartz crime fiction serves to explicate the dangers and pleasures of life. There is human perception with which the audience jakes empathise Gives the illusion that they have entered the world of crimeMiller A rhetorically sound definition of genre must be centred not on the substance or form of discourse, but on the action it is used to accomplish, manipulate a udiences empathy to engage them in the text typical of conventional crime fiction GENRETechniques(Remember these techniques interchangeably and merely use the appropriate ones)Context specific1. SubvertContext Desire for hopeConvention admit noir subgenre traditionally seek to realistically portray the inescapable confounded nature of society subverted Happy Ending Observation Theorist Imperative of genre to let in for subversion to become relevant to socio- scotch or political context Chandler, the cycles and transformations of genre can be seen as a response to the changing political, societal and economic conditions2.Context socio-economic context of 1940s World War 2 America midst of an economic depression employment was low and consequently crime was on the rise yearning for justice and heroism to correct the broken nature of society Convention Characterisation of Marlowe as determined and relentless Ironic and self-depreciating dialogue Im just a guy whose paid to do other hatfuls laundry embodies disposition of lone ranger Heroicconnotations, why did you have to keep going?, too umpteen people told me to stop. Observation and Theorist Crime fiction gives the audience what it NEEDS3.Context 1950s audience can critique broken society and judge morality of characters Convention Conforms to traditional structure of c/f red herrings, witnesses, investigation, unveiling of mystery Lack of thread no point of view audience critique characters E.G. Marlowe, womanizer, heavy drinker, blatant disrespect for authority and the law, I dont know what I am going to tell them- but it bequeath be pretty close to the truth retain a degree of morality, reproach toward reprehensible behaviour, my, my, my, so many guns for so few brains. Reflects ambivalent noir concept that eachthing good is tainted with evil Observation and theorist Convoluted plotline makes the audience objective viewer Critique the broken society and the morality of characters Li vingston, different genres are concerned with different world viewsUniversal1. ConformContext common timeless human desires transcend context and audience and hence are constant throughout generations of crime fiction Convention human fascination with romantic love interest foregrounded interaction amidst hardboiled detective Marlowe and femme fatal Vivien Rutledge Verbal sparring soaked in double-entendres indicative of sexual tension do you always think you can handle people like trained seals? uh-huh and I usually get away with it too Theorist Colette, romance pervades oral and written story-telling as far back as can be tracedAnils GhostObservations1. Post-colonial text exposure to different culture challenges Western perspective of crime fiction genre Barthes, it is in relation to other texts within a genre rather then in relation to lived experiences that we make sense of certain events within a text. Cohen, Genres are open categories. Each member alters the genre by addin g, contradicting or changing constituents, especially those members most closely related to it. 2. Challenges not only our understanding of the genre, but also our perception of the world around us Berger Never again will a single story be told as though it were only the one. 3. Crime fiction can be a means of contextual political and philosophical discussion The subjectivity of truth Nihilism and post-modernismTechniques1.Context socio-political context 1980s Sri Lanka multifaceted civil war unimaginable for a western audience but can relate to universal themes Convention riddle as a medium for Anils quest for her identity Ambiguous characterisation forces reader to share in her frustration and confusion Refuses to be defined or typecast, religious allusion, The return of the prodigal, I am not a prodigal Symbolised through an aggressive campaign to chose her own parent Observation and theorist international audience relate to a common quest multifaceted nature of identity Ambiguity and struggle within an individual, thoughtful of wider post modern society2.Observation, context and theorist Fister crime fiction deliberately exploits anxiety within the reader through reflecting and magnifying societies fear du jour. Terror of those maintenance within civil warConvention explored through specific victims, personalise pain agonising imagery Gunesenas crucifixion, prized the nails from the tarmac, freeing his hands fear impregnates every facet of society personification of Sri Lankan national fear through simile used to warn against the dangers of truth, truth is like a flame against a lake of accelerator3.Observation aware of the horrendous acts of violence but absent from the actual event never presume to understand the degree of suffering novel seeks to reason sympathy NOT empathyConvention Subversion post-modern style, not one single perspective, intrusive narration to explore a variety of characters perspectives. (Berger Never again will a sin gle story be told as though it were only the one.) Foregrounds the differences the darkest Greek tragedies were innocent compared to what was happening here compares European mythology with Eastern reality, highlights extensive discrepancies between crime fiction Theorist Texts challenge audiences worldly perceptions Cole This can function as a form of social protest and reform giving crime writers the status symbol of social activists.More on VALUES